1st ANNUAL

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FILM COMPOSER of the YEAR

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• Alexandre Desplat
  • Marco Beltrami
  • Brian Tyler
  • John Powell
  • Alan Silvestri

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BEST ORIGINAL SOUNDTRACK

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• Maleficent — James Newton Howard
  • How to Train Your Dragon 2 — John Powell
  • The Theory of Everything — Jóhann Jóhannsson
  • Snowpiercer — Marco Beltrami
  • Fury — Steven Price
  • Whiplash — Justin Hurwitz and Tim Simonec

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BEST TELEVISION SHOW, MINI-SERIES, or SERIES MAIN THEME

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• Penny Dreadful — Abel Korzeniowski
  • House of Cards — Jeff Beal
  • Game of Thrones — Ramin Djawadi
  • American Horror Story: Freak Show — James Levine
  • The Mentalist — Blake Neely

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BEST TELEVISION SHOW, MINI-SERIES, or SERIES MUSIC

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• Cosmos: A SpaceTime Odyssey — Alan Silvestri
  • Fargo — Jeff Russo
  • Hannibal — Brian Reitzell
  • Game of Thrones — Ramin Djawadi
  • Agents of S.H.E.I.L.D. — Bear McCreary

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ORCHESTRATOR of the YEAR

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• Pete Anthony
  • Conrad Pope
  • Matthew Llewellyn

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UP and COMING COMPOSER

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• Matthew Llewellyn
  • Rob Simonsen
  • Paul Leonard-Morgan

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BEST ADDITIONAL MUSIC for a FEATURE FILM

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• The Amazing Spider-Man 2 — Pharrell Williams
  • X-Men: Days of Future Past — Edwin Wendler
  • American Hustle — David Buckley

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BEST MUSIC for a DOCUMENTARY

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• Tim’s Vermeer — Conrad Pope
  • The Desert Treasure — Stuart Hancock
  • The Green Prince — Max Richter

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SOUNDTRACK LABEL of the YEAR

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• Intrada Records
  • Varèse Sarabande
  • Kronos Records
  • Lakeshore Records

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ORCHESTRA or SYMPHONY of the YEAR

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• London Symphony Orchestra
  • The City of Prague Philharmonic
  • Hollywood Bowl Orchestra
  • Royal Philharmonic Orchestra

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BEST VIDEO GAME MUSIC

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• Castlevania: Lord of Shadows 2 — Oscar Araujo
  • Murdered: Soul Suspect — Jason Graves
  • Batman: Arkham Origins — Christopher Drake
  • Assassin’s Creed IV: Freedom Cry — Olivier Deriviere

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HIDDEN TREASURE

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• Deep in the Darkness — Matthew Llewellyn
  • Moms’  Night Out — Marc & Steffan Fantini
  • Ballet Boys — Henrik Skram
  • The Two Faces of January — Albert Iglesias

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LEGEND AWARD

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• John Williams
  • Alan Silvestri
  • John Scott
  • James Horner

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BEST DIRECTOR and COMPOSER TEAM

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• Christopher Nolan and Hans Zimmer — Interstellar
  • Brian Perceval and John Williams — The Book Thief
  • David Ayer and Steven Price —  Fury
  • Seth MacFarlane and Joel McNeely — A Million Ways to Die in the West

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BEST LIMITED EDITION RELEASE or RE-RELEASE

(People’s Choice Award)

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• Star Trek: Into Darkness — Michael Giacchino
  • Rio Conchos — Jerry Goldsmith
  • 2001: A Space Odyssey — Alex North
  • Rear Window — David Shire

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NOTE:  The above categories do not list the nominees in any particular order other than the first being the winner.  The following order is NOT indicative of 2nd, 3rd, and so on, place.

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The above listings are the official results of the 1st Annual FILM SOUNDTRACK CENTER Awards.  The FILM SOUNDTRACK CENTER Awards had two separate committees.  One committee was solely designated for nominations, while the other had the sole purpose of voting for the awards.  The results of these awards were not known or announced to anyone before the posting of this page. 

The members of the nominations committee consisted of knowledgeable members of the soundtrack community.  They individually presented their nominations to the awards coordinator (Email) and the top candidates are those shown in the above list of nominees.  The nominations committee had no further involvement past this point.

The voting committee consisted of active and influential members of the soundtrack community.  They had 36 hours to vote.  All voting was done fairly and unbiasedly for the most deserving candidate.  Each voting member had 1 vote per category.  The above results are the results of their voting.  Thank you to everyone who voted and helped with this project.